猎人、兽医和护士围绕手术台交谈，同时给一头野猪做手术。又一个伤口被缝合，但这一次发生在一种边缘状态，处在不同护理观念的交汇处。野生动物的拯救和猎人在一个生态系统中并置，这个生态系统中自然被人力资本制造、收获和利用。在这个框架中，野猪拉斯普京被囚禁在观念的碰撞之处：它被好奇的手从森林中偷走时还是一只小猪仔，后来被当地的野生动物救援中心照顾；现在拉斯普京被认为太野蛮，不能加入家庭环境，而又因为与人类接触太多而无法在森林中重获自由。尽管自然/文化的分界线得以体现，荒野却是人类建筑的阴影。这部影片是对保护行为的感性探索，看待这些行为如何构建基础设施，使得在皮亚琴察周围的平原上的野生动植物远离人类的生活环境。这些动荡土地的声音景观被置于与人类、非人类行动者和控制技术的对话中。 　　A wild life rescue treats boar and deer at the edge of a natural reserve alongside the Trebbia river, northern italy. Hunters protect the non-human life in an area of industrial agriculture. Rasputin, the boar lives held under human protection at the limits of legality. A group of actors tries to represent the movements of boars.

猎人、兽医和护士围绕手术台交谈，同时给一头野猪做手术。又一个伤口被缝合，但这一次发生在一种边缘状态，处在不同护理观念的交汇处。野生动物的拯救和猎人在一个生态系统中并置，这个生态系统中自然被人力资本制造、收获和利用。在这个框架中，野猪拉斯普京被囚禁在观念的碰撞之处：它被好奇的手从森林中偷走时还是一只小猪仔，后来被当地的野生动物救援中心照顾；现在拉斯普京被认为太野蛮，不能加入家庭环境，而又因为与人类接触太多而无法在森林中重获自由。尽管自然/文化的分界线得以体现，荒野却是人类建筑的阴影。这部影片是对保护行为的感性探索，看待这些行为如何构建基础设施，使得在皮亚琴察周围的平原上的野生动植物远离人类的生活环境。这些动荡土地的声音景观被置于与人类、非人类行动者和控制技术的对话中。 　　A wild life rescue treats boar and deer at the edge of a natural reserve alongside the Trebbia river, northern italy. Hunters protect the non-human life in an area of industrial agriculture. Rasputin, the boar lives held under human protection at the limits of legality. A group of actors tries to represent the movements of boars.

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)

俄国传奇妖僧拉斯普京的一生。 　　格里高利·叶菲莫维奇·拉斯普京（英语：Grigori Efimovich Rasputin；1869年1月21日—1916年12月30日），又译拉斯普丁、拉斯普钦或拉斯普廷，俄罗斯帝国神父，尼古拉二世时期的神秘主义者，沙皇及皇后的宠臣。俄罗斯萨拉托夫省人，被认为是俄罗斯正教会中的佯狂者之流。因丑闻百出，遭到公愤，为尤苏波夫亲王、迪米特里大公、普利希克维奇议员等人合谋刺死。 　　他有高超的催眠眼。他那双淡蓝色的眼睛，炯炯有神，死死盯着人看时泛出道道蓝光；再加上他的声音，总是令人感到恐惧，昏昏欲睡。

由Matthew Weiner主创﹑执笔﹑制片﹑执导的首季8小时诗选剧《罗曼诺夫后裔》，以全球各地的独立故事联系在一起，每个故事中都有相信自己是罗曼诺夫后裔的人（罗曼诺夫是俄罗斯的一个王朝，曾有多位沙皇，而因为血统问题，令到出现血亲争议）。该剧预定明年上线。

The most vivid pages of Russian history and the establishment and consolidation of Russian state power are associated with the eighteen Russian Tsars of the House of Romanov which include such historic names as Peter the Great, Catherine the Great, Nicholas I and Alexanders I, II and III. The dynasty ended with the brutal assassination of the last Tsar, Nicholas II and his family by the Bolsheviks in Ekaterinburg in 1917. 　　The Romanov dynasty played a hugely important role in world history, and the series highlights the life stories and characters of the tsars, recounting their rise to power and their contribution to the dynasty, their merits and their faults, their achievements and mistakes, their victories and defeats in war. 　　The series also examines the Russian form of 'Caesarism' as a system of state administration - its advantages and drawbacks and how the Russian state changed under the Romanov's rule. 　　THE ROMANOVS is told in eight epic one-hour episodes using a unique combination of magnificent CGI animation and dramatic reconstruction with careful and accurate attention paid to each period.

The story of the last year and a half of Tsar Nicholas II and his family from the February Revolution of 1917 to their execution in July 1918

The story of the last year and a half of Tsar Nicholas II and his family from the February Revolution of 1917 to their execution in July 1918

Lucy Worsley travels to Russia to tell the extraordinary story of the dynasty that ruled the country for more than three centuries. It’s an epic tale that includes giant figures such as Peter the Great and Catherine the Great, the devastating struggle against Napoleon in 1812, and the shocking murders of Nicholas II and his family in 1918 which brought the dynasty to a brutal end. 　　The Romanovs were the most powerful European monarchs since the Middle Ages, wielding unmatched authority into the 20th century. Lucy will see how they embraced and sponsored the arts on an astonishing scale, commissioning artworks and building spectacular palaces that still dazzle today. Yet many ordinary Russians were little better than slaves, and the failure of the Romanovs to address their condition would ultimately lead to revolution. 　　In this new three-part series, Lucy will apply her characteristic insight, attention to detail and wit to the Romanov dynasty. Her understanding of royal tradition and culture, and her gift for bringing historical characters vividly to life, will create a fresh and compelling account of this unique royal family.